[ST] Moja kolekcja muzyki dawnej - same perełki

Meteora Sacra - Byzantine hymnes
Psalms and troparia from the service of Saints Athanasios and Ioasaph




Contains psalms and troparia from the service of Saints Athanasios and Ioasaph, founders of

the Holy Monastery of Great Meteoron, Greece, sung by the Choir of chanters ‘The Maistores

of the Psaltic Art’.

TRACKLIST:
1. Kecragaria called 'Agioritika'
2. Stichologia
3. Stichera prosomoia at Vespers
4. Stichera prosomoia
5. Aposticha prosomoia
6. Canon
7. Doxastikon at the Lauds
8. Great Doxology

Format: FLAC
Size: 309 MB

Kod:

http://www.storage.to/get/vTjaaCr2/PatftsSAaI.rar

Anthoine de Bertrand (1540? - 1581?)

Amours de Ronsard - Extraits du Premier Livre : Amours de Cassandre

Ensemble Clément Janequin
Agnčs Mellon (soprano)
Dominique Visse (countertenor)
Michel Laplénie (tenor)
Philippe Cantor (baritone)
Antoine Sicot (bass)

Claude Debôves (lute)*
plays a 1982 Mathias Durwie lute, copy of a 1580 Georg Gerlé (Wien).





Harmonia Mundi HMC 901147 (1985) - recorded in Jun 1984 in Saint-Michel de Provence, France.
TRACKLIST:

Kod:

    1.   Ha Seigneur Dieu, que de graces écloses 02:45
    2.   Dans le serain de sa jumelle flamme 03:09
    3.   Nature ornant la dame 02:42
    4.   Pavane et Gaillarde "La Milanoise" (Guillaume Morlaye)* 03:12
    5.   Ces deux yeux bruns doux flambeaux de ma vie 03:25
    6.   Je parangonne au Soleil que j'adore 02:06
    7.   Gaillarde "La Piémontoise" (Guillaume Morlaye)* 01:34
    8.   Oeil qui mes pleurs de tes rayons essuye 02:46
    9.   Amour archer d'une tirade ront 03:34
   10.  Mon Dieu, mon Dieu que ma maistresse est belle 03:17
   11.  Amour, Amour, donne moy paix ou treve 03:26
   12.  Gaillarde (Guillaume Morlaye)* 01:00
   13.  Je vy ma Nymphe entre cent damoiselles 02:11
   14.  Tout me desplaist, mais rien ne m'est si grief 03:39
   15.  Pavane et Gaillarde "La Romanesque" (Guillaume Morlaye)* 03:01
   16.  Avecques moy pleurer vous devriez bien 03:35
   17.  Certes mon oeil fut trop avantureux 03:05
   18.  Ce ris plus dous que l'oeuvre d'un abeille 03:19

Time: 53:03 gaps included
Size: 220 MB
Format: FLAC


Complete poems included + the above 14 in a separate file



Anthoine de Bertrand: Amours de Ronsard
"Ronsard is the central poet of the French Renaissance. His main characteristics are to have a very rich language and to use a lot of images to illustrate his ideas. His works were used by a great variety of composers.
The realization made by de Bertrand is one of the most achieved, in the art of underlying the text and its ideas with music. One perfect example is the last track of this disc, beginning slowly and softly (word "doux" - soft), and ending with waves of sounds and rhythms (words "Montagnes and plaines" - mountains and plains).
Always the music respects the scansion of the text, thanks to a great variety of rhythms and tempi."

Kod:

http://www.storage.to/get/YRewLtBL/Anthoine_de_Bertrand_Amours_de_Ronsard.rar

Adam de la HALLE. D'amoureus cuer voel chanter
Les Jardins de Courtoisie






Format: FLAC
Size: 352 MB
Playing time: 73' 21"


Scans included

TRACKLIST:

01 - Amours m'ont si douchement [9:30]
chanson XV
02 - Bonne amourette me tient gai [0:19]
rondeau XIV
03 - Oh me deffend que mon cuer [3:21]
chanson VII
04 - Merchi, Amours [1:52]
instrumental
05 - Plus que je sui de l'amourouse loi [4:53]
chanson XXVII
06 - Marchi, Amours, de la douche dolour [5:52]
chanson XII
07 - Diex!, comment porroie [1:31]
rondeau XII
08 - Helas, il n'est mais nus qui aint [6:23]
chanson V
09 - Or voy jou bien qu'il souvient [2:33]
chanson XXVI
10 - A jointes mains vous proi [0:52]
rondeau X
11 - Glorieuse Vierge Marie [4:38]
chanson XXVIII
12 - D'amourous cuer voel chanter [4:45]
chanson I
13 - Amours et ma dame aussi [1:09]
rondeau VIII
14 - On demande mout souvent [9:01]
chanson XIII
15 - Fi, maris, de vostre amour [0:45]
rondeau VI
16 - Ma douche dame et Amours [5:14]
chanson XVII
17 - Qui a puchele ou dame amee [10:41]
chanson XXXIV




LES JARDINS DE COURTOISIE
Anne Delafosse-Quentin, voix

Marc Bellity, lute, cistre
Patrick Bernatene, percussions
Gwénaël Bihan, flűtes
Baptiste Romain, vičle

Paulin Büdgen, contreténor
Lisandro Nesis, ténor

Kod:

http://freakshare.net/files/reak4m2p/LLJdC_AdlH.rar.html

Oswald von WOLKENSTEIN (Studio der frühen Musik)




FORMAT: .mp3
SIZE: 75MB
Playing time: 44' 52"


TRACKLIST:

Kod:

MONOPHONE LIEDER

01 - Es fuegt sich      [11:07]	Bariton, Laute, Lira
02 - Der oben swebt      [4:39]	Mezzosopran, Laute
03 - Es nahent      [2:34]	Bariton
04 - Nu huss      [2:50]	Bariton, 2 Schalmeien


POLYPHONE LIEDER

05 - Stand auff, Maredel      [2:33]	Mezzosopran, Tenor, Fidel, Schalmei
06 - Der mai mit lieber zal      [2:44]	Mezzosopran, fastloadöte, Fidel
07 - Ach senleiches leiden      [2:58]	Mezzosopran, Altus
08 - Du ausserweltes      [2:09]	Altus, Harfe, Fidel, Sackbut
09 - Fröleich geschrai      [1:10]	Mezzosopran, Altus, Flautino, Fidel
10 - Wach auff, mein hort      [1:47]	Mezzosopran, Tenor, Laute, Fidel, Schalmei
11 - Wer die augen      [2:58]		Mezzosopran, fastloadöte
12 - Frölich, zärtlich      [2:24]	Bariton, Fidel
13 - Kum, liebster man      [5:05]	Mezzosopran, Tenor, 2 Schalmeien

STUDIO DER FRÜHEN MUSIK
Thomas Binkley

Andrea von Ramm, Mezzosopran, Harfe
Willard Cobb, Tenor
Richard Levitt, Altus
Robert Elescu, Schalmei
Caroline Bergius, Schalmei
Sterling Jones, Fidel, Lira
Johannes Fink, Fidel
Thomas Binkley, Laute, Sackbut, fastloadöte
Karl Heinz Klein, Bariton

Kod:

http://freakshare.net/files/x30exvep...cans-.rar.html

Récital de Luth: Les Maitres de la Renaissance

Andras Kecskes - lute



FORMAT: FLAC
SIZE: 190 MB
Playing time: 43' 00"


Tracklist:

01. Preambel for lute Composed by Antonio Rotta
02. Chorea Polonica Composed by Anonymous
03. Fantasia for lute Composed by Francesco Canova da Milano
04. Fantasia No 2 for lute Composed by Francesco Canova da Milano
05. Ricerare (Lorenzini) Composed by Vincenzo Galilei
06. Fantasia No 3 for lute Composed by Francesco Canova da Milano
07. Branle Gay Composed by Anonymous
08. Gaillard Composed by Anonymous
09. Basse Danse Composed by Anonymous
10. Tourdion Composed by Anonymous
11. Les boucane Composed by Anonymous
12. Tablature de Danzig Ungarescha No 05 Composed by Anonymous
13. Tablature de Danzig Tanz No 06 Composed by Anonymous
14. Codex Vietoris Chorea Composed by Anonymous
15. Codex Vietoris Alla chorea Composed by Anonymous
16. Greensleeves, English folk song Composed by English Traditional
17. Kemps Jig Composed by Anonymous
18. Fantasia No 8 a 4 voix Composed by Balint Bakfark
19. Fantasia No 2 a 4 voix Composed by Balint Bakfark
20. Fantasia No 7 a 4 voix Composed by Balint Bakfark

Kod:

http://freakshare.net/files/x1ugbl74/AK_RdL.rar.html

Alla Francesca - Richard Coeur de Lion, Troubadours et trouveres (1996)
EAC rip | APE(image+.cue), log, scans - 255 Mb
Genre: Classical, Medieval
Opus 111 30-170, Recording date: March 1996




Contents:

1.Anon: Lai du Chevrefeuille (2 voices, flute, cittern, harp)
2.Anon: L'autrier m'en aloie (3-holed flute, harp, cittern, drum)
3.Richard Coeur-de-Lion: Ja nuns hons pris (voice, bagpipe)
4.Guiot de Dijon: Chanterai por mon coraige (voice)
5.Chastelain de Couci: Li nouviautz tanz (voice, double pipe, cymbals)
6.Anon: Vocis tripudio (bagpipe, tambourine)
7.Chastelain de Couci: A vous, Amours (2 voices, cittern, harp)
8.1)Anon: Canticum exercuit (recorder, cittern)
2)Anon: Canticum letitie (cittern, harp, recorder)
9.Conon de Bethune: Bien me deusse targier (voice, bamboo flute, fiddle, harp)
10.Gace Brule: Quant voi la flour boutener (six-holed flute, fiddle, hurdy-gurdy)
11.Anon: Redit etas aurea (2 voices, frame drum)
12.1)Anon: Christus patris gratie (3-holed flute, rebec, harp, drum)
2)Anon: Vineam meam plantavi (rebec, hurdy-gurdy, bagpipe)
3)Anon: Offerat ecclesia (bagpipe, rebec, hurdy-gurdy)
13.Bernart de Ventadorn: Can vei la lauzeta (voice, flute, fiddle)
14.Gaucelm Faidit: Fortz chausa est (2 voices)


Performers:
Emmanuel Bonnardot (voice, fiddle, rebec, cittern)
Raphael Boulay (voice)
Pierre Hamon (flute, three-holed pipe, bagpipes, double pipe, recorder, bamboo flute, six-holed pipe, drum)
Brigitte Lesne (voice, harp, hurdy-gurdy, frame drum, small cymbals, tambourine)

Playing time: 59'

Kod:

http://www.storage.to/get/6Xv3YQxs/AF_RcdL.rar

Alla Francesca - Beauté parfaite
L'Automne du Moyen Age - Chansons des XIVe et XVe siecles





Beaut parfaite - L'Automne du Moyen Age

Format: FLAC
Size: 304 MB

Covers included

TRACKLIST:

Kod:

01 - Anthonello de CASERTA. Beauté parfaite     [2:52]
ballade · flute ténor P · harpe · luth · vihuela

02 - Pour vous servir     [2:74]
rondeau · chant B R E

03 - Jean VAILLANT. Par maintes fois     [2:48]
virelai · flutes cylindriques en do P, en fa F · harpe

04 - SOLAGE. Fumeux fume     [7:40]
ballade · chant R E M

05 - Raulin de VAUX. Savés pour quoy suy sy gay     [1:38]
rondeau · chant B R E · luth

06 - Johannes LEGRANT. Entre vous, nouviaux mariés     [2:03]
ballade · chant B R E · flute cylindrique en do P - vihuela · luth

07 -  Mahieu PAULLET. J'aim. Qui? Vous. Moy?     [2:04]
ballade · chant R E M

08 - Or sus, vous dormes trop  [Codex Faenza]     [3:47]
diminution · flute «Rafi» · harpe · citole

09 - Tousjours servir je veuil  [manuscrit de Chypre]     [2:59]
rondeau · flute «Ganassi» · viele E · harpe · luth

10 - Gautier LIBERT. Se je me plains     [4:57]
rondeau · chant E · cistre · harpe · luth et chant M

11 - Pierre FONTAINE. Pastourelle en un vergier     [1:53]
ballade · chant B R · flute «Ganassi»· viele E · luth

12 - Tant qu'en mon cuer ~ Sur l'erbette     [3:23]
rondeau · chant R · flutes: a trois trous et tambour, cylindrique en do P, viele E · harpe · luth

13 - Or sus mon coeur     [2:50]
virelai - cornemuses

14 - Cheulz qui volent retourner    [2:41]
ballade · chant R E M

15 - La belle et la gente rose     [2:07]
virelai · flutes cylindriques P F D

16 - Quant la doulce jouvencelle     [4:27]
rondeau · chant M · vihuela · harpe · citole

17 - Gilles BINCHOIS. Adieu, jusques je vous revoye     [3:54]
rondeau · chant B E · viele M

18 - Nicolas GRENON. La plus belle et douce figure     [2:14]
rondeau · flutes Renaissance P F D

19 - Guillaume DUFAY. J'ai mis mon cuer     [1:17]
chanson · chant B E M

20 - Gilles BINCHOIS. Ay, douloureux     [7:02]
rondeau · chant R · vieles et chant E M

21 - piece instrumentale  [manuscrit d'Oxford]     [1:08]
flute «Rafi» · harpe

22 - Guillaume DUFAY. Je vous pri ~ Ma tres douce amie ~ Tant que mon argent dura     [1:37]
cantio triplex · chant B R E M

ALLA FRANCESCA

E Emmanuel Bonnardot, chant, viele a archet, vihuela d'arco, cistre
R Raphaël Boulay, chant
P Pierre Hamon, flutes a bec, cornemuse, flute et tambour
M Marco Horvat, chant, luth, citole, viele
F Florence Jacquemart, flutes a bec, cornemuse
D Dominique Jullien, flutes a bec
B Brigitte Lesne, chant, harpe

Kod:

http://www.storage.to/get/LbbddzU9/BP_AF.rar

Music for Vihuela - Narvaez & Fuenllana
Classical | APE, CUE | 1 CD, Covers, Notes | 257 Mb | TT: 61:59 min
Date CD: 2001


Composer: Miguel de Fuenllana, Luys de Narváez
Performer: Dolores Costoyas




Tracks - Composer - Title


01 - Narvaez - Siete Diferencias sobre Guardame las vacas
02 - Narvaez - Fantasia del 5to tono
03 - Fuenllana - Fantasia
04 - Fuenllana - Tant que vivray
05 - Narvaez - Fantasia del 4to tono
06 - Fuenllana - Il bianco e dolce cigno
07 - Narvaez - Veintidos Diferencias de Conde Claros (for 2 vihuelas)
08 - Fuenllana - De los Alamos vengo (for 2 vihuelas)
09 - Narvaez - Baxa de Contrapunto
10 - Narvaez - Fantasia del 3er tono
11 - Narvaez - Je veulx laysser melancolie de Ricafort
12 - Narvaez - Fantasia del 5to tono (#2)
13 - Narvaez - Fantasia del 8vo tono
14 - Fuenllana - Con que la lavare
15 - Narvaez - Fantasia del 6to tono
16 - Narvaez - Mille regretz, Cancion del Emperador de Josquin
17 - Narvaez - Sanetus - Osanna de la Missa Faysans regres de Josquin
18 - Narvaez - Cancion de Gombert
19 - Narvaez - Cum Sancto Spiritu de la Missa de la fuga de Josquin
20 - Fuenllana - Fabordon in Tone VIII, Quoniam confortavit (for 2 vihuelas)

Kod:

http://freakshare.net/files/qqhbxbot/MV_NF.rar.html

========================================
Guillaume DUFAY. Chansons / Tetraktys

EAC FLAC (255 MB) | NO LOG | Embedded CUE | Scans
Olive Music om 005, 2004 | Medieval-Renacimiento



01 - Bonjour, bon mois
02 - Las, que feray?
03 - J'ai mis mon cuer
04 - Mon cuer me fait
05 - Hélas mon deuil
06 - La belle se siet
07 - Quel fronte signorille
08 - Helas, ma dame
09 - Je languis en piteulx martire
10 - Ce jour de l'an
11 - Dona i ardenti rai
12 - Adieu ces bon vins de Lannoys
13 - C'est bien raison

Kod:

http://freakshare.net/files/rq83c3ha/DCH_T.rar.html

The Queenes Good Night - Elizabethan Music
Classical | APE, Separate | 1 CD | Covers | 265 Mb
TT: 61:15 min | Date CD: Jan 3, 2003

Cover:


Tracks:


Composer: Dowland, John - Johnson, John
Robinson, Thomas - Pilkington, Francis - Allison, Richard

Performer:
Marie Nishiyama (harp), Rafael Bonavita (lute, gtr.).

Kod:

http://www.storage.to/get/h42LjojV/tQGN_Elm.rar

Cristobal de Morales (1500 - 1553) - Office des Tenebres
Doulce Memoire - Denis Raisin Dadre
Lamentations for Holy Saturday
Classical, Sacred music | Mp3, CBR 320 Kbps | 1 CD | Front | 160 Mb |



Performers:

Anne Quentin - soprano
Marc Pontus - alto
Lucien Kandel - tenor
Hugues Primard - tenor
Jean-Luc Rayon - baryton
Thierry Peteau - baryton
Philippe Roche - basse
Jeremie Papasergio, Marie-Noelle Visse,
Denis Raisin Dadre, Francis Mercet, Johanne Maitre - flutes



TrackList:

01 - In pace in ipsidum, antiphon - Psalm 4 - Cum invocarem exaudivit me
02 - Lamentations - Sabbato Sancto for 5-6 voices Lectio prima
03 - Sicut ovis, responsory
04 - Lamentations - Sabbato Sancto, for 5-6 voices Lectio secunda
05 - Jerusalem surge, responsory
06 - Lamentations - Sabbato Sancto, for 5-6 voices Lectio tertia
07 - Plange quasi virgo, responsory
08 - Manus tuae Domine, motet for 5 voices
09 - Mulieres sedentes ad monumentum, antiphon - Benedictus
10 - Peccantem me quotidie, motet for 4 voices
11 - Christus Factus est pro nobis
12 - Per tua crucem, motet for 4 voices
13 - Miserere - Psalm 50


Download

Kod:

http://www.storage.to/get/076Kd7sI/CdM_OdT.rar

Sequentia Ensemble - Edda - Myths of Medieval Iceland

EAC FLAC | NO LOG | Scans | 339 MB



Barbara Thornton (died 1999) and Benjamin Bagby, leading directors of the international

vocal ensemble Sequentia, are not marked as composers. Yet, their achievement on this very

special disc ranks them among the very best of composers for vocal music in the 20th

Century.

The Icelandic Edda, originally sung rather than told, inspired these great Early Music

singers/scholars/musicologists to explore the musical development in an isolated and remote

part of Europe.
This disc has been an ordeal for the Ensemble. It required years of studying scraps of ever

so slight musical evidence (usually notated in neumen); the ways of ancient Icelandic lore,

and the study of Old Norse, which resembles modern-day Icelandic. The ensemble even hired

university professors to teach them the pronunciation of the old texts.

You’ll hear a merciless drone of singing and singing here….it goes on and on, inducing a

trance leading you to the essentials of life and death. For this is what the Edda is about –

the loss of love and life, the destruction of a world.

One of my top five favourites, is what I said. I try to lean back and not let the intensity

of this album get to my throat too much, or the tears will spring from my eyes like a

fountain.

Barbara Thornton (the slightly hoarse alto) died from cancer shortly after the final

production stage of this album. I consider track 7 to be a last expression of love between

her and her Sequentia partner Benjamin Bagby.

Again: the music is a reconstruction, and involved a lot of speculation as to how the music

would have sounded in medieval times. It does not matter if the Sequentia Ensemble managed

to be authentic here; even if it wouldn’t resemble original Icelandic music at all, this

album still stands as a great composition in itself.


TRACKLIST:

01. Leikr elds ok isa - The song of Fire and Ice [0:02:17.37]
02. Veit ek at ek hekk - Odinn's Rune-verses [0:05:41.20]
03. Hliod's bid ek allar - The Prophecy of the Seeress [0:10:11.73]
04. Vreidr var pa Ving-Porr - The Tale of Prymr [0:13:52.10]
05. Nu erum komnar - The Song of the Mill [0:12:16.35]
06. Baldrs minni - In Memory of Baldr [0:03:33.47]
07. Senn voru aesir allir a pingi - Baldr's Dreams [0:09:32.30]
08. Pat man hon folkvig - The Prophecy of the Seeress [0:06:22.65]
09. Ragnarok - The End of the Gods [0:01:28.35]
10. A fellr austan um eitrdala - The Prophecy of the Seeress [0:11:33.43]

Kod:

http://www.storage.to/get/ywSSPQKB/SE_E_MoMI.rar

BONUM VINUM – Wine Songs and Dances from 16th-19th century Hungary – Musica Historica

EAC FLAC | NO LOG | Scans | 246 MB





"Wine, wine, wine,
There is no wine
Like Hungarian wine.

It empties our purses but
Keeps us in good spirits
God bless our country
And keep all of us safe

There is no wine
Like Hungarian wine"

DESCRIPTION

Spoiler:

The objective of this album is to make the audience appreciate the taste of good wine and feel the euphoria of abundance and freedom. Some songs also make fun of drunkards with harsh words and wry irony.
The first song tells us about the biblical role of wine (the wedding of Cana).
From the Middle Ages it is almost certain that everyday enjoyment of wine used to be accompanied by singing. Popular poetry preserved several motifs that had been composed by students.
The most notable of these is part of a lighthearted confession of the 12th century. It is the testament of a drunkard who would like a barrel for his coffin since he wants to drink even in his grave.
In the Renaissance royal courts of King Mathias Hunyadi and the Jagello Kings poliphonic works brought a taste of Western music (5).
Sebestyén Tinódi, one of the most proliferic poets of the 16th century composed a song in Transylvania about the lousy, watered wine that was served to him (4).
The most important poet of the Renaissance period was Bálint Balassi. He wrote a spring welcoming song, where he mentions the knights who drink wine, one glass after the other and in their good spirits do not look into the unknown future (6).
From the 17th century 3 songs are presented. One was written by István Miskolczi Csulyak, who lived most of his life around Tokaj, the famous wine-region (9).
Special mention has to be made of the third song (12) that used to be sung during the Lent. It is about the battle of Bacchus and Mars (Carnival and Lent).
Bacchus is riding valiantly on top of a goat and his army is made of rich meals of meat and cabbage, whereas in the strict army of Lent we find fat-free fish and bean-like vegetables. Unfortunately for Bacchus, he loses the battle and becomes hostage to the land of Lent (Jejumium).
From the 2nd half of the 17th century the memory of the inter-ethnical musical language (Hungarian-Slovak-Polish-German) is evoked on the one hand by the so-called chorea-like dances (7, 11). On the other hand you can hear a hat dance (10) that carries the stylistic features of 16th century hajdú dances (hajdús were soldiers in the Hungarian army).
The beginning of the 18th century preserved a few Bagpipe tunes (3) for us. In the Apponyi Manuscript from 1730 we inherited some table songs sung at the time of feasts of high nobility.
The 18th century brought a new perspective. The happy moments of Hungarian students, who openly took pleasure from wordly joys are presented in 2 songs, also called the ABC songs (14, 18/e), due to the fact that each paragraph starts with a subsequent letter of the alphabet and the verse is built around that letter.
”Tus” (toast) poems and songs serving the purpose of celebrating someone on a special occasion are also presented in a toast series taken from chapbooks from the 18-19th centuries (18).
The so-called verbunkos is a very important East European style. On the album there is a series from the collection of Imre Zugrits (19).
The Song to the Wine Cellar (21) was sung as a parody at folk weddings.
As you can see from the above information, East European music cannot be imagined without the knowledge of folk music traditions. Research is the task of musicologists, but the preservation of traditions is also actively undertaken by musicians.

Csörsz Rumen István – excerpts from the introduction

Performers:

Musica Historica

Szilárd Chereji - tenor, viola, double bass
István Csörsz Rumen – voice, lute, kobsa, cittern, guitar, bagpipe, crumhorn, shawn, Jew’s harp
Roland Kasza – spinet, xylophone, percussion
Balázs Sudár – kobsa, mandoline, percussion
Zoltán Széplaki – voice, recorders, Renaissance flutes, crumhorns, gemshorn
Zsófia Tövisházi – violin, Baroque violin, fiddle

Kod:

http://www.storage.to/get/Wr4nWLIy/BV_sadfH.rar